|
ETHODIUS
It would be so much better if we know where
Ethodius is based, when it was formed and the chain of events that
led to its realization.
Ethodius is based in Harrison
Township which is right outside of Mount Clemens, Michigan. I
simplified this on the opening page of the website by mentioning the
city Detroit. This is because it is a larger city that more people
are familiar with. Downtown Detroit is about a thirty minute drive
from where I live.
Ethodius was established around 1993. The
chain of events that led to its realization was that I started
playing piano seriously around 1984. My piano lessons started to
become more intense as I was challenged with Bach three part
inventions and Mozart and Beethoven Sonatas. A few years later in
High School around 1989 I became introduced by some friends to bands
such as Joy Division and SPK. After being very impressed with this
kind of music for quite some time, I bought my first sound module in
1991. It was an Ensoniq EPS 16+. I soon after hooked it up via MIDI
to an Atari ST running the software Notator. Later in 1993 I bought
a DAT, a Shure Beta 58 Mic, and an Alesis Quadraverb GT. I also
purchased a Tascam analog eight track recorder which I hooked up to
an eight channel mixer. After putting down some music and vocals on
the Tascam eight track, Ethodius was the name I decided to use for
the project.
Where did you derive your band name?
Does it have any significance at all to the kind of music you're
making?
It was from the help my friend, Lynn, who I
met in the SCA. SCA stands for The Society for Creative Anachronism.
It is a group that is dedicated to researching and recreating
pre-17th-century European history. We were looking for a medieval
name for me to use in the SCA. She had a red thin hard cover book
dealing with ancient and medieval names and she found the name
Ethodius in it. She pointed the name out to me and immediately it
caught my attention. Historically, Ethodius was the name of two
Scottish kings, Ethodius I and Ethodius II. I thought the name would
work for the music because I have often put tymps into the songs and
have incorporated a somewhat ancient or epic feel to the music.
Forgive me, but what is your nationality and how
would you describe the people and the state of life in your area ? I
was just wondering if they are conducive to your band's
identity/characteristics.
My family and I were born
right here in the United States and this goes back a long way. As a
result, I am American. The people around here are pretty easy to get
along with which in turn makes the state of life pretty good. I
often hand out postcards everywhere I go and even in a places that
are considered businesses, they are often excepted with a good
attitude since I am not directly trying to sell CDs to people. Sure,
there is the option for people to do so from the webpage but if I am
simply trying to create a community for new music, then that is the
primary goal. For example, I could sell a lot of CDs to people
throughout the world, and still lack local community. To have things
the other way around may be just as important, because with local
community, there is the local psychological support of other human
beings. This, in my opinion, is very important. One will notice the
importance of this if I play at a local music venue. Fortunately,
the people are fairly supportive with their comments and attitude
even if they dont have the money to buy the recordings.
I'm really impressed by how you're able to recapture
a vivid medieval atmosphere. A world that's long gone, but never
forgotten. It lives on through your music. Now, with such a
lifestyle involved, would you ever consider other genres of music?
After trying to go after a medieval atmosphere when
I started, I dont currently mind giving the music a more futuristic
feel. As long as this is done with moderation, then I think it is
acceptable. With all of the the sounds and effects in my studio,
that kind of sound is sometimes difficult to avoid. It is good if I
can make my music a mirror of the lifestyle that exists around me,
but I think I am somewhat of a non-conventionalist with this issue.
If my music is not a mirror of what exists in reality, then perhaps
it may be something that mirrors a dream or surreal world. That may
be just as pleasing.
Please share with us the
stories behind every album you released from past until
present.
The Ethodius self-titled album was the
first one that I did. It is self-released but was promoted on a
compilation by Black River Recordings. There are two songs from the
Ethodius album that ended up on the compilation. They are, The
Clear Sky and A Noted Reunion Behind the Convent Walls of Santo
Spirito. The Ethodius album starts out with a lot of tymps for a
strong rhythmic backbone and then for the third track, "Existence,"
I decided to use modern drum sounds. I also used synth sounds from
the K2000 on this track a lot more. This is an example of how there
is a mixture of medieval sounds and modern sounds. I also started
getting into the software Hyperprisim for effects which can be heard
on the tracks "The Deepest Voice" and especially on "Merlin Lives in
our Dreams now, He Speaks to us from there."
The Aesthetic
Myth is the second album but ended up being an EP later. I decided
to shorten it because I felt that the quality of the five songs that
made up the EP went together nicely. The first track on the EP
consists of spoken verses of poetry by my cousin Cindy and a lot of
sounds processed by Hyperprisim played on an Ensoniq ASR-10. I like
how this track turned out and so did the guys at Metal Age
Productions. They put it on their fourth compilation which can be
viewed on my ordering page. For the second track, "The Magi," I
started getting into using the classical piano sample that is
available on the PCM grand piano expansion card for the Triton-Rack.
In the past, I didnt think that the piano samples that I tried out
would be good enough for a project, but this one was. I also started
doing more with real pianos for the third and fifth track
respectively. For the fourth track, "Arethusa," I used the Kurzweil
K2000R and the Ensoniq ASR-10 which were sequenced extensively by
the software Emagic Logic.
My latest collection of pieces
are ones that represent places that we can mentally explore. This
collection of pieces makes up a CD called Uncharted Territory. I
would like to make this the most unique CD to date. With this in
mind, it is difficult to estimate when it will be finished. A
commentary can be found of these three CDs on the Ethodius webpage.
Is there a scene/society out there of likeminds that
share the same musical adaptation? Have you tried to reach out and
do collaborative works with them?
There is, but I
consider it to be a subculture more than anything. The first thing
that comes to mind when dealing with a scene, is the club scene at
places such as The Labyrinth and at times, small coffee houses.
There is also the SCA that I mentioned earlier. As far as
doing work with people in the clubs, it has been small scale work
really. When doing the spoken verses with my cousin Cindy, she was
over one day without any intent to read poetry like she did. It just
worked out that she and I spent at least an hour recording. She
doesnt usually go to the clubs to my knowledge, but she spoke the
verses with a lot of depth and expression.
Do you
sense a lack of interest among the listeners of today and their
preference for easy-to-consume popular music and how does this
affect your artistic journey with Ethodius?
I think
that experimental and unique ambient new music will always be a
minority in light of conventional music but the lines can not always
be easily drawn. I say this because with the kind of music I record,
peoples tastes change and sway quickly. For example, I have found
that some people that listen to conventional popular music, seem to
have an interest in my recordings. They may not be as intense of a
supporter as may be desired, but it is still astonishing when I see
how hungry some people are for new music. However, I try not to let
these things influence how I record music because I feel that I
should be true to the craft of recording.
I actually
searched on "Ethodius" on the net and it's very popular. Do you have
a lot of time to spare for promotion?
I have some
time. A few minutes each day can be spared. As long as I get some
exercise throughout most of the week, I have found that I can do all
the things that are required of me. One of which is piano playing
and working well with other people. If I dont exercise, then my
health and mood tends to decrease in quality. This affects how I
work with other people. As a result, I prioritize with health and
everything else falls into place
Is Ethodius a
studio band, or do you also perform live in several places?
Ethodius is primarily a studio band but I have
played at a number of venues. Coffee houses are ideal. Especially
the ones with their own piano. There are a couple around here that
have their own piano, one of which I have played at extensively.
What do you do outside of Ethodius? Do you like to
go to old regions where castles or dark historical spots lie? Tell
us about the places you've been and do you use them as a medium for
your ideas?
I spend time running over at the beach
throughout most of the week. Once or maybe twice a week I take a day
off from running. I think it is a test of the spirit within us when
we push ourselves physically. I also believe that it helps me
perform music more expressively. This is difficult for me to prove
but I myself am a believer of this. As far as historical places, I
have visited the War Memorial over in Grosse Point, Michigan.
However, I dont directly use historical places for my ideas. The
exceptions to this however are the covers of the first two CDs. I
have not been to those locations but I try to get the mood of the
music to fit with the mood of the cover art.
What
then is the frequency of band work for you? How much time does it
take for you to craft a song or an album for that matter?
I dont keep a detailed track of the frequency of band work.
I would say however that I work on the equipment and recordings at
least four to five days out of the week and sometimes more. When I
do sit down to work on something it is usually for about an hour or
two. There are exceptions to this if I need to nudge a sample just a
little bit so that things fit together better. Thanks to the new
setup I have, I can retain my ideas so that the tracks are organized
pretty well on my hard drive and in Logic Express. This allows me to
pick up right where I left off since the last time I worked on
something. Full albums and the new EP have taken around two to three
years each.
Do you feel a sense of fulfillment on
your part having produced your personal works of art? Is it more of
a self-indulgence and amusement or do you yearn for others to fathom
and appreciate it.
For the most part, it is
something that I feel drawn to do on my own. The more material that
I record that I believe has some kind of quality to it, the more
fulfillment I feel. However, there is a bit of a yearning for others
to fathom and appreciate my work as well. If I receive positive
feedback from others, it is a good feeling. It is one of those
things where I could say that this doesnt effect me but I feel that
it does.
Your songs are minimalistic, yet they're
not boring at all. The whole thing is a beautiful respite from the
layers of electronic sounds being used these days by artists. When
are you going to add more audio samples?
I assume
that you are referring to The Stoic since that song is
minimalistic and does not currently have very many different samples
in it. I plan on adding a number of samples to this track as soon as
possible. I will make a notice in the news section of the site when
the track has been updated.
What instruments does
Ethodius utilize?
I started out using Ensoniq sound
modules but later on I started to use the Kurzweil K2000R with a 88
weighted keyboard. I also use the Korg Triton-rack. All of these
sound modules are hooked up via MIDI to Logic Express 7.1. I also
use the MOTU 828 audio interface with the computer to record audio
into to the hard drive. As far as Microphones are concerned, I
started out using the Sure Beta 58 model, but later switched to two
replicas of the Audio Technica DR-3700. With these mics I use the
Digitech VTP-1 preamp. Some of the older material has been edited
with Digidesign Pro Tools or Session software but lately I have been
getting into the software Audiodesk for post production.
What can we expect from Ethodius in the near
future?
I have been getting a little more into
writing poetry and lyrics aside from the actual music. I hope to
incorporate this as much as possible into the material on "Uncharted
Territory." A couple of tracks from this collection contain some
poetry and I hope there will be a lot more later.
Please say your final words. Thank you.
If you go to http://www.ethodius.com, there are
links to the commentaries of the CDs and pictures of the cover art
that I discussed earlier in this interview.
Thanks for the
exposure.
- Matt from Ethodius
Copyright 2005. All rights reserved. ABORTED
LIFE
|
